YOU KNOWpeopleIT is NOTenough the way!the WORLD?(no, this is not a fuckinWORLD(double-yewohareellgeea\there no D in it)which is BIGGER dishue thaen anyone*will get into fro here and in this 'essay'(but:it is A PRIMER on the topic of PULP FICTION of the 1950s.)\not the novelsz? NO.xxxxxxxxxxxxxxxxxxx
A MASTERclass demonstration of what it MEANS to be MUSICAL in YOUR making; to which:there's only ONE!way of access /to this COEN'S BROthermother-fucker/, and THAT goes through a full-page-BLACK/\website on EMBOSSMENT-writing. So, take that\forFORwhat its \WORtH\t-bone\JACKSON!\,\.xxxxxxxxxxxxxxxxxxx
There are two comments I would use to base my own review on here, both coming from a short video review of the film in the Guardian.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
How to RUN the violin? Straight out ahead AND THROUGH? NO, way no how and not straight out EITHER! TowardstheLEFT, resisting, all the while, URGE. A message for a generation just THE s\a\m\e\ NOT WHhat ThE diReCtoR ever figured hislittleFILM would be required to do; but something he must have felt,
A bit of dilemma faces any viewer of this film*(and it IS one for some viewers and NOT!for most many othersz, cause the truth is it is endeavoring to reverse the order of time which is just fine and dandy for many viewers don't mind bone-saws used to make unrealistic music.xxxxxxxxxxxxxxxxxxxxxxxxxx
A, ABSOLUTE joy, !ON FILM! And, so, the ISSUE?NO, the PROBLEM. With Oppy. on DIGITAL.? Yes. It is just a plain-jane SCRIPTED narrative of Jewish decency(and whosoever met one of these jolly-rancher-typesONparada?Maybe in the BALLGAME of yer fuckin’ DREAMS!!!!!!, peoplesz! Base-ball.!....)xxxxxxxxxxx
Listening/appreciating DAVE MATHEWS more*than he was ever APPRECIATED AT THE TIME IS surefire way to recognize the CULTURAL MOMENT has so dramatically shifted with streaming mentalitiesz....xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Nobody cares if this PABLUM SITE hacks a Nobel Prize on bein' the only PERSON STICKin' up fer The World not bein' this fuckin' dog sled shit pile of dick.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Sorry, but this rancid movie that is NOT A FILM***(and I swear to God on that even though I wouldn't watch another fuckin' second beyond this frame) BUTan UNWATCHEABLE MORALITY CRimE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The level of bad-taste in this 'film' is so off-the-charts it ALMOST*seems like it is deliberate and that* is because Damian Szifron made it this way to throw his towel in on life in America and not a single fool realizes it not even his production company.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Chris Pine certainly didn't deliver here, the man reveals himself to be little more than fuckin' busted liberal leather and that means alot to people that thought he was the exact fuckin' opposite of that.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Learning how to do CGI in the 2000s was a learning-lesson in how to under-whelm the entire previous generation of special-effects people.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The end of cinema is bespeaked about the end of the last time you can remember enjoying***, seriously-enjoying, anything at all and that is the last thing Jim Carey would ever say about this film: HE TRIEDxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Living forever in Blade Runner's 2045-years of nonsensicality is never going to be meaningfully redeeming so figure out what it is about SOREN KIERKEGAARD's little book on despair that you cannot understand he's hilarious and not overly pessimistic at all.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
It's true that the future tech people CAN imagine is so devoid of morality the only sense it gives you of itself is one of the immediacy of its ideational phasing-in of the morality-freeness of phone scrolling as harbinger of all that will eventually be GOOD and false.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
With a tech-ideology like this, what's the fuckin' point to make films for a 'public' at all? Hidden treasure for the losers themselves scattered in meta-audible overlay for their prostitutes to marvel at the hidden gems for their loser boyfriends and fake husbands.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
HBO's Avenue 5 is simple garbage and there's no better way to indoctrinate this world than with shit like this 'cause people REALLY ARE THIS FUCKING MENTALLY DISEASED and the truth of THAT is that we all lose space.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
There is no better way to consider THE YOUNG Victoria(2009) than according to the hair-styling and prolific access to the actually-maintained historical period***in which this depictedly TREASONOUS represented story is maintained to have OSTENSIBLY occurred.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Similarly, to the Fifth Element there is no point to make this film, Jane Austen was a pedantic moron who couldn't have conceived of love if it smashed her brains out on the railroad she always dreamed of killing herself on.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Second-Rate Historical drama Delivers Serious Bang for the Dollar Value of Knightly's SMILE.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The epitome of a defunct CULTURE of American declination with regard to its endless navel-gazing potential.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
In this, the first of a series of essays on the re-inscription of the total sense of lost meaning that was pertained on the past cultural rupture around the time JFK, jr, was shot dead and DYLAN decided to pander to the monopolists of culture industrial complexification OVER: smoking cigarrettes asx
"A really great movie, and a surprising coup because it does work full-spectra to present motorsport racing in a way that transcends ideological notions of how to race an automobile at rocket speeds."xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
It's a spectacle no doubt, but not one without a fundamental flaw symptomatic of broader trends that significantly undermines the potential evidenced in the preceding Part, one that is, contrary to popular superstition, actually necessary to the fabric of space and time as we don't really know them.