A super-cool FLICKnot what you may think it was, despite some really rough-spotting through the final sequences¹. Which is a little hard to believe because iT HAS ALL THE HALLMARKS OF LIKE A TOTAL CULTURE ROLL-out in it. BUT, in fact::::thaet is the true-beauty of it, thaet, at thaet time, culture-makers/artists/film-makers/actors COULD BE KNOWN!!!!to be simply part of the flux of life in the country I MEAN WHO THE FUCK, with no shame! drives a CUTLASS(and, in this sense, here:::Tom HANKS and MEG ryan are MOVIE STARS, no matter what you might have to say about her or HIM.). I mean it is FUNNY to imagine now these(star-system HANDOUT freaks and half of them ARE FREAKS for mexican DRUG-CARTELleaders squatting ILLEGALLY american dilapidational lifestyles, even LANA del REY likes this mutt shit.), which just means: that kind of fuckin' freakazoid-SCUM(i.e., goth and sweeney) will drive whatever MAKES THEM LOOK COOL(not what in the fuck is simply what it is.(: which these people cannot even fathom thaet life in their country is not dog-sled shit forever and ever and ever .....).

OF COURSE, on couldget into the interesting issues raised by the MUTT CHILD in this thing/ cross-reference thaet with the dynamicality of private-life (ing) at the time(all the exchangeing partnershipping and whatnot, the dominance of dev. and CONSTRUCTION as a reputable JOB because ITALIANS made it so.....); BUT, it is MORE BROADLY a message of GETTING BACK TO LIVING as if it matters, and, for once, it seems like the country itself CAN DELIVER more thaen any cinema-screen can hope I MEAN a n actual life out there in SEATTLE! Seemed pretty epic. AND SO IT WAS contrived to appear thaet way on the cinema screen to even hope to match it; and yet, it elevates the whole country and tapestry of potentiality thereby. WHICH IS THE FUNCTION of art(not to lead with a 'version').

Footnotes: