Cinemicity

the PULP FICTION corner.

More Cinematicity

THE HERO(2021!(: actually FARHADI missed

Matt DAMON::::"I ain' seen more deers poppin'/n/up/gain/'st/THIS fuckin' Thai\y\m\chan\e\":::::

The Subtle Establishment Propaganda of Homeland

Time Out-of-Order, and an Actual Experience of Time in Hong Sang-soo's Hill of Freedom

What The Big Short is Not

The Revisionist 'Conservative' Ideology of Billions

Dinosaur 13 and Criminal Ideology

In the Moment of Musical and Cultural Transformation with HBO's Vinyl (or Inside Richie Finestra)

Dark Matter: the political and social significance of cinema in Hail, Caeser!

Birdman: precisely what Robert Altman's Short Cuts is missing

Woody Allen's Radio Days and The Vast Forgotten Imagination of Radio

Woody Allen's The Purple Rose of Cairo and The Reality of Cinematic Dreams

Bloodline: A Series Gone Awry Produces Some Tolerable Side-Effects

Hong Sang-Soo's Right Now, Wrong Then: Fortune Springs From The Inside?

The Night Of: Elevating The Ordinary

In Brief: Woody Allen's Café Society

Second Look: The Night Of

In Brief: Captain Fantastic

In Brief: Lo and Behold, Reveries of a Connected World

In Brief: The Magnificent Seven

In Brief: The Arrival

Rogue One: truly, a Star Wars story

Aside: Kubo and the two strings

In Brief: The Accountant

The Salvation: Towards a Conception of European-American Cultural Differentiation

Whiplash: The Purification of Art According to Liberal Ideology

Running the Sahara: the most uninspiring endeavor yet recorded in human history

Hong Sang-soo's Woman Is The Future Of Man

Western Mythology and the NTSB of Clint Eastwood's Sully

In Brief: Money Monster

The Endless Present: Life and Passengers

Dancing in the Dust: towards the cultural specificity of abject life (between Asghar Farhadi and Hong Sang-so)

Gushing Praise for George Clooney's Suburbicon

Fiore: expressing the distraction, refusal, and individualism of (liberal) European life.

Loveless: cynical pseudo-philosophy of love or profound cinematic critique of romance?

Billy Lynn's Long Halftime Walk: undermining the American (cinematic) war machine

Things To Come: liberalism's confrontation with old age

Another Round: Overcoming the Liberal Double-Bind

Tesla: Out of Time

The Self-Neutered Political Potential of Joker

In a Valley of Violence: The Reluctant Western

Gösta: recovering the communal from out of liberalism's failed romantic

Tunna Blå Linjen: Becoming The Future

Don't Look Up: Bring On The Comet

Starship Troopers: Responsbility of the Citizen

Don't Worry Darling: Towards Dysjunctive Gender Subterfuge

Dungeons and Dragons: Honor Among Thieves

In Short: Addressing the Contrived Oppenheimner Controversy

Review: Dune, Part Two

The duchess, a Supremely Beautiful Movie

AVENUE 5 Cinque-Terre in the FUCKIN' ATMOSPHERE OF DYNAMIC INTELLECTUAL IMBECILITY

The Insufferable IDEOLOGICAL CAPTURE REGIME OF jungly Cruiser

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

What is Science-Fiction About Star Trek? Nothing.

Poolman: Unwatcheable Garbage Fire if you keep keeping watching it burn

To Catch a Killing Machine? America can avoid it but for me alone in this world.

BabyGirl! Who Knows What's After Minute 3:03 KIDMAN my laugh track is more famous than you

CLOSER(2004), Natalie's FRAME shot and TAKE

Barely ABOUT Ethan Hawke’s Before Sunset Trilogization of his FANTASY life

(Untitled) asfkasdhlfkjhasdfasdflkjh .........dfjsdkertaasdfsdlkaf sdfDJf clala la lala.....................

THE cinema THAt(....t]DIDn't ever LEARN:

Planes, Trains, and the Marketing-MAN of the UBER-`80s ActualCOOL!

STEVE buscemi's WIN over the Coens is here for you to CONTEMPLATE NATHAN.

I DO NOT THINK THIS FILM IS GOOD REALLY but it is AN INTERESTING CONCLUSION thaet does merit a bit of ANALYTICAL-skill to decipher its ovah*onHOMah(that not even CHRISTOPHER comb-over dared'da contem, he stayed so on point to the script he made NULLITYfiller rathrn' any at all TABLEAU,of,EPIC)PIECEM

by The Editor

I DO NOT THINK THIS FILM IS GOOD REALLY but it is AN INTERESTING CONCLUSION thaet does merit a bit of ANALYTICAL-skill to decipher its ovah*onHOMah(that not even CHRISTOPHER comb-over dared'da contem, he stayed so on point to the script he made NULLITYfiller rathrn' any at all TABLEAU,of,EPIC)PIECEMEALxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

Symptoms of DECLINE.The coen BROS!think they are the aristocratic geniuses of the first-milleniaI mean Gerret!he can just plop a dildo in his ass for a party-scene like no other would say any one!ever met the boyish grin!Ethanial Hawethorne, if we're talking about the other one cause who the fuck cares---what are he!comin' in for here is the simple PROBLEM I have with his washedoutNESS.nobody gets to make The Odyssey!for America? He did not make that film he made ODYSSEUS's PILGRAMEAGE to Romea.Cool, broI thought it was a better film thaen it really managed to become for the public, so many TORTUrED analogics* in it)he!may've thought he managed METAPHOR? Who needs it bro, a fuckin' METAPHOR over top'a HOMER"S FUCKIN' skullcap I mean thaet is not the coolest way to slam it, the coolest is thaet it IS A TOTAL takedown on modern RECORD-company BUS.which HEdid NOTpossibly have comprehended at thaet time (2000?no:1997, when the business WAS FUCKIN'well BOOMING, which DOES MAKE THE LAND ON IT cause it isNOTwrong to think the film is more about the waxing-lyricTHAETlibtards made themselves into about the economy generally being something worth nothing to anybody on the libtard-sidethaen 'artsy-opinions'(so, bein'that-the-case does mean it makes more sense he wanted a true METAPHOR, as a art-film(rathern' any*intervention into the record business itself(cause, again, thaet's whats ANALOGICALLY! great about it now)the MYSTERYof the UNKNOWN adventure of ART-creation from without!of the vast TABLEAU HE erected the UNITED states into(even though it was already a MEXICAN paywall on the low-tier mentioned in this film at the time which HE DID COMPREHEND was the struggle the NIGGER HE CAST INTO THE ROLE refusedto adhere to he NEVER got the drop and by this we do MEANCLOONEY?NO:buescemi? YES.and the reason thaet makes any sense is cause the WHOLE UNTED statos!knew BUSCEMI was the wrong guy for the role ALTHOUGH the Coens!must'vethought!it was Turturro's ace to win, that is.