There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
The end of cinema is bespeaked about the end of the last time you can remember enjoying***, seriously-enjoying, anything at all and that is the last thing Jim Carey would ever say about this film: HE TRIEDxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
With a tech-ideology like this, what's the fuckin' point to make films for a 'public' at all? Hidden treasure for the losers themselves scattered in meta-audible overlay for their prostitutes to marvel at the hidden gems for their loser boyfriends and fake husbands.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
A surprisingly good film that uses the power of the cinematic to elevate the contemporary progressive struggle to reshape our approach to the economy.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
One of Eastwood's more tolerable films reveals the role of the Western mythology in deconstructing effective government as well as its emotional logic.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
While an honest and valuable film that takes a look at the under-explored causes of the 2008 Financial Crash, the film's final judgment is rather thin and unsatisfying and reminds us what Scorcese accomplised with his Wolf of Wallstreet.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx