Truly an inspiring edificial testimony to the impotence of the free-marketed ideological dispositionalism of the 1960's.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

And, SO:::::: while there aren't many such objects erected around the world unless you look around, the truth of the """""inspirational"""""" VALUE these monuments had(DO NOT consider, here, the St. Louis arch!!!!!) was that they opened a pavilion in the mind for aspiring writers to reflect on the beauty -eous possibilities of A Free World Order in which nobody would EVER BE THE LOSER OF IT ALL BECAUSE NOBODY WOULD BE IMMUNE FROM ITS "CONTAGIOUS-EFFECTS", said one writer(the name escapes us now ;-) of-the-time********, although writing, at the time""""", about CULTURE, was seen as not precisely cooptation.......

So, what that means today is that looking back on these buildings(which IS WHAT THEY IS) cannot amount to an actual historical record. Unless you're a likeminded command-and-comtrol TYPE whom just wacks off to what he sees he hasn't got a clue about(and neither do his 'artist friends" think it's anything other than beaver-Stevens, great Gatsby!!!! What a BUILDING YOU MADE, BABY!"').

So, the tech conglomerates rebuilding architecture in secret worldwide will never realize their cardboard putty slab-rosé[:settings will never ever be actually romantic places. They can be ASSURED, 1000000%, they'll just need to build another one for the enormous TV in their brains that never stops needing 'epic scale' content, which is what it has all ever been about for money peoplesz, a total fucking sham on glam.

)ROSÉ-GLAM IS THE definiton of obstinacy when it comes to perfection.(][.